Tuesday, September 24, 2024

The Cost of AI

 

 (Image by Joshua Sortino at Unsplash)

I’ve been an IT professional for over 40 years. The idea of artificial intelligence (AI) has been around for longer, and was well-known enough to become popular (and possibly prophetic) entertainment, from Colossus: The Forbin Project to Skynet and the Matrix.

We’ve been using rough forms of AI for years to go beyond simple scripting in order to automate mundane tasks, using machine learning and inference engines to handle common alerts and respond to them without having to wait on a human to react.

So the concept of AI is nothing new, but both the rapid advancements of the past few years and the capturing of the public imagination have kept AI (in particular, generative AI) heavily in the news, and there’s no end in sight.

As an IT guy, AI fascinates me. I think the possibilities for how it could improve our lives are boundless. On the other hand, as a photographer and writer, I agree with those that find it horribly threatening. The advances made in just the last couple of years allow generative AI platforms to “create” visuals that leap right over the “uncanny valley” into photorealistic images that are not easy to differentiate from
an actual photo. 

The huge AI engines have done this by scraping massive amounts of copyrighted material (quite possibly including my own) with no compensation for or even acknowledgement of the actual creators. And those enormous corporations that are doing this are not being held accountable.

That fact does get some airtime, and while I think absolutely nothing will be done about it, at least there is some general understanding that there’s something wrong there. But there is another fact about AI that I don’t see much written about, and I think it’s important. In addition to AI platforms learning from ingesting the work done by writers, artists, researchers, etcetera, every time you use an AI platform, you are teaching it something. 

AI platforms require an inordinate amount of compute power. They also require a ridiculous amount of storage — more data, more better. All of that costs a ton of money (and sucks up a huge amount of very costly energy — something else no one wants to talk about). Put simply, they are expensive as hell.

So how can they incorporate AI for free into the platforms like Windows operating systems that we use every day? How can platforms like ChatGPT or Midjourney be free or very inexpensive?

It’s because they are using you, the consumer of those services, to continue to teach the AI engines. Which will make them better and better, very quickly. And they will continue to supplant, well, you. Writers, artists, editors, reporters… that’s just the start.

We already run IT shops with a small fraction of the personnel that it took in the 1980s when I started out as a mainframe support engineer. We call that progress, and I suppose that it is. And as rapidly as computing platforms continue to grow, we still hire a bunch of people. But I can see the end of that workstream coming soon as AI is becoming capable of performing more and more of those functions.

When the AI platforms are capable of making better corporate financial decisions than the finance guys, do we need anyone below the CFO? When the AI can make better technology decisions, do we need anyone other than the CTO, who can just rubber-stamp the AI’s decisions until they decide they don’t need him/her anymore either?

Publicly traded corporations are required by law to maximize stakeholder profits. That often leads to decisions that are not in the best interest of the people that work for those companies. What happens when, in ten or twenty years from now, when there ARE no workers? When major corporations are just shareholders and a handful of rubber-stamping execs? Honestly, that is not that far-fetched.

I’m not suggesting that you avoid AI. It would be hard to do today and it will be impossible tomorrow. But I do think we need to understand what is happening and what is inevitably coming next. There are smart people working on safeguards, but I do fear that they will be well behind the curve in controlling AI growth.

All I’m suggesting is that you be aware that every time you create a Leonardo image and tweak it until you’re happy with it to use in your ad campaign, and every time you use Google Bard to clean up a report for work, you are providing a free service to a major corporation (just like those artists whose work was stolen) and I’d be willing to bet that those services won’t remain free/cheap for long.

I’ve seen some pretty major inflection points in my six decades here. The democratization of computing with the introduction of the PC, the widespread availability of knowledge (and bullshit) with the advent of Internet and the ability to put ALL of that in your back pocket with the revolution of the smart phone. I believe AI is the fourth, and probably the most impactful.

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Friday, October 23, 2009

Margaret's Cantina - Showtime!

It's finally time! Our show at Margaret's goes up tomorrow afternoon and is scheduled to hang until January 9th!

If you have a chance, come on by and check it out - if nothing else, the food at Margaret's is outstanding!

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Sunday, June 29, 2008

ADF

J's been advocating (or agitating) for going to ADF for years and I've been admittedly reluctant. We did go a few years ago (I honestly can't remember the dance company we saw) and I just really didn't enjoy the performance (I could appreciate the physicality of it, but it was sorta like sitting through a 2 hour Phillip Glass symphony - it's realy only fun for about 10 minutes and after that at best you're admiring the math but not much else). But we looked at the schedule and got tickets for Saturday night at Page for the Martha Graham company's performance followed by Lar Lubovich.

The first piece that the Graham troupe did was an excerpt from a 1936 piece that I frankly didn't get, although that might have been from seeing it out of the larger context. But the other two pieces, including her landmark "Lamentations", were quite wonderful!

The eye-opener for me, though, was the performace after the intermission of Lar Lubovich's company - it was much more human and, well, fun! The main word that came to mind afterwards was "exuberant" - apparently I wasn't the only one positively affected by them as they received a standing ovation and a number of curtain calls from what I would assume is a fairly dance-savvy crowd since the ADF has been in Durham for 30 years now. One of the things that I liked about it was the company itself - they looked like people (some short, some tall, some willowy, some muscular). Definitely worth a look!

A word about Page Auditorium - I've only been in the building three times and I've got to say that I'll think hard before I go back. I saw the Psychedelic Furs there many many years ago from the back of the balcony and the sound was horrible. This time we were on the front row of the balcony (where one assumes one will have plenty of legroom) and in fact we had to sit with our legs off to the side. It was uncomfortable enough that I had trouble really getting into parts of the performance. Wouldn't hurt if someone from Duke came over to Chapel Hill and checked out the renovations that were recently done to Memorial Auditorium - I think Page could use a similar upgrade.

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Sunday, August 26, 2007

Self-Promotion

My photography website has been updated for the first time in awhile and I've moved it to a new URL and host - the design hasn't changed (yet) but there's some new stuff out there. If you're interested in seeing any of it live and in person, come on out to Meadowmont the weekend after Labor Day for Arts at the Meadows. It takes place both Saturday and Sunday after Labor Day from 10am to 5pm both days. That's probably the only show I'll be doing this fall as J and I are taking a year off of the fall studio tour. If you haven't spent much time in Chapel Hill lately, Meadowmont is off of Highway 54 between I-40 and the 15-501 Bypass, near the Friday Center. There'll be around 80 booths featuring ceramics, painting, textile art, jewelry, sculpture and lots more.

The new stuff is a combination of shots from my old Canon A-1 film camera, the Fuji digital that J is now using and the new Canon Rebel XTi digital. Feel free to try to guess what shots came from each camera... :-D

You should also go check out Jeannette's new on-line shop at Etsy.com called GalleryJ. She's got some of her smaller pieces for sale and I think she plans to rotate stuff through there, so check back from time to time and you're likely to find something new!

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Saturday, June 09, 2007

Game Fish - for Tony M



For Tony M, the rest of the photos I took of "Game Fish" at the Renwick. Click on 'em for larger shots. JennySlash also found this link to his '60 Coupe de Ville. Very cool stuff. We first saw "Game Fish" at the National Museum of American Art (next to the Portrait Gallery) - as J just told me, the Renwick is actually part of the NMAA.

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